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tenderly shy). I hate people who don't smile back. I can spot an opportunist kilometers away. Some of my enemies have become my best friends. You can ask me anything, I'll tell you no lie but only if you've

Techniken verwende ich Malerei, Zeichnung, verschiedene Drucktechniken und Collagen. běi jīng kuài cān (Peking Express), 2019, Öl auf Leinwand Räumungsverkauf, 2019, Öl auf Leinwand The Donald, 2019, Öl

interact without a predetermined language. I seek an environment where performers and the audience can interact outside of the predetermined scripts of society, creating their own language through an improvised

colours there are feelings of angst, loneliness, violence, and other forms of human abysses. My works can be seen as morbid, provocative, bizarre, and as well as ironic, mystic and grotesque. In a very absurd

colours there are feelings of angst, loneliness, violence, and other forms of human abysses. My works can be seen as morbid, provocative, bizarre, and as well as ironic, mystic and grotesque. In a very absurd

performance artist. His compositions never reveal the complete structure. This results in the fact that he can easily imagine an own interpretation without being hindered by the historical reality. With a conceptual

into my work, too, where I find myself creating these landscapes I have seen or haven’t seen, but can only imagine. Website: https://fsikhuvnx.bandcamp.com/ Facebook: https://www.facebook.com/Fsik-Huv

of cast iron wreaths and associated research, or a video exhibiting the answer to “how many screws can fit into my mouth?” Layers of history surface in multiple works through reflections of human folklore

at the practice of fiction, bit by bit. I will continue doing so until what I and others perceive can be read as one and the same on paper. Drew.Petrilli@gmail.com

how to paint everyday and every new start is a fall from sobriety into the abyss of intoxication. I can‘t get enough.

shifts from the ordinary to the extraordinary, oscillating between the tangible and intangible so it can be ultimately experienced in physical space. As a recent recipient of the Gottlieb Foundation Award